Ritual folklore in the research of Shakir Ibraev

Abstract

The work of the renowned folklorist Sh. Ibraev is a comprehensive scholarly work addressing key issues in the study of Kazakh Ritual Folklore. Each chapter proffers solutions to complex theoretical and practical problems.
The preface provides a systematic definition of folklore, approaching it from a new perspective and highlighting its cognitive, ritual, artistic, and educational functions.
The first chapter is dedicated to the complex nature of folklore, exploring its connections
to ethnography, anthropology, and literary studies, and emphasizing the importance of
integrating anthropology into folklore research.
The second chapter provides a theoretical interpretation of syncretism and synthesis in
folklore. Ibraev discusses the interplay between folklore and the performance traditions of
akyns and zhyraus as well as ritual elements such as incantations, blessings, and shamanic
chants. He identifies plot, motif, and artistic techniques as markers of genre syncretism.
Subsequent chapters analyze oral creativity, artistic methods, the history of Kazakh folklore
studies, multivariance, improvisation, ancient folklore, and myth. The author examines the deep roots of mythological consciousness in the worldview of the Kazakh people and its
integration into folklore.
In the chapter on labor folklore, Ibraev studies examples related to animal husbandry and
agriculture and draws conclusions about their meaning and origin in ritual practices.
The central section, “Ritual Folklore,” includes four chapters on magical genres, family
rituals, wedding songs, and funeral rites. Each chapter is divided into subsections detailing
genre subtypes. The author demonstrates that magical and family rituals stem from ancient
beliefs. Wedding rituals such as betrothal (kudalyk), the bride’s departure (kyz uzatu), and
her reception into the groom’s home (kelin tusiru) – are shown to give rise to specific verbal
and performative works.
Ibraev introduces the concept of “Funeral Ritual Folklore” as an original scholarly category,
drawing on global theories while emphasizing Kazakh distinctiveness. His systematization of
theoretical problems and innovative conclusions hold major value for both Kazakh and world
folklore studies.
The monograph Kazakh Ritual Folklore (Kazakting guriptik folklory) presents fundamental
theoretical foundations of Kazakh and international folklore studies.