Абай поэтологиясы: бейнелілік парадигмасындағы көркем детальдің қызметі

Zhanat Aimukhambet; Marzhan Mirazova

doi:10.32523/2664-5157-2021-2-7-18

Authors

Zhanat Aimukhambet Eurasian National University named after L.N.Gumilyov
Marzhan Mirazova Eurasian National University named after L.N.Gumilyov

DOI:

https://doi.org/10.32523/2664-5157-2021-2-7-18

Keywords:

poetology, literary consciousness, literary creativity, literary detail, subconsciousness, intention, reception

Abstract

The article analyzes theoretical definitions of the concept “poetology” and examines
problems covering this issue. Based on the opinions of literary scholars, the relation of the term
“poetology” to the entire literary-figurative system in the structure of the work is revealed in the paper. The analysis of various concepts allowed concluding that poetology is a teaching based on
knowledge of the nature of literary consciousness and literary creativity. Based on this opinion,
studies the poetical space of Abai’s works from the point of view of the figurative functions of his
literary details. While analyzing the text of his poems, the role of the man of letter’s consciousness as
a source of creativity, the functions of the subconsciousness and intention in the creative process as
well as issues of aesthetic perception and associative thinking are explained here. On the material of
poems based on the outstanding poet’s philosophical reflections about life, the author demonstrates
the specific, psychological and symbolic types of literary details and studies their meaning.
In order to study Abay’s poetic space, the subject of the analysis is represented by several poems,
the role of literary details in the structure of the text in reflecting thoughts and feelings, the poet’s
new images, the meaning of concepts in the content of the poem, the literary skill, poetic knowledge
in accordance with the requirements of modern literary studies are discussed in the paper. In these
verses, Abay artfully combines the criteria of the transience of life and eternity. The author analyzes
and formulates the correction of his own, individual poetic space through the images of “time of
troubles”, “blue fog”, the forthcoming time, “colorful butterfly”, dying in the summer, autumn,
“arising butterfly”, “arising sun”, sneaking every day, “unchanging common Tengri”, “I”, glorifying
the mind and spirit, “mine” embodying the way of life and character. It is proven that the characteristic
images in the poet’s poems are created through various characteristic visual details.

Downloads

Download data is not yet available.

Information about author

Zhanat Aimukhambet, Eurasian National University named after L.N.Gumilyov

Doctor of Philological Sciences, Professor of Department
of Kazakh Literature

Marzhan Mirazova, Eurasian National University named after L.N.Gumilyov

doctoral student

Reference

Kotelevskaya V.V. Tomas Bernhard i modernistskij metaroman [Thomas Bernhard and the modernist metaroman]. Rostov To Don; Taganrog, Southern Federal University Press, 2018. 352 p. [in Russian].

Ingold F. Das «Bild» der Poesie bei Innokentij Annenskij. In: Die Welt der Slaven. XV. 1970. P. 125-146.

Trostnikov M. V. Poetologiya: avtoreferat dissertacii v vide opublikovannoj monografii na soiskanie uchenoj stepeni doktora kul’turologi [Poetology: abstract of the dissertation in the form of a published monograph on the search for the teaching staff of the doctor of culturologists]. Moscow, 1998. 47 p. [in Russian].

Baykov V.N., Zakharov V.E., Karaeva M.S., Sokolov V.A. Tezaurus po poetologii kak instrument dlya informacionnogo poiska i kollekcii znanij. Model i analiz inform. sistem [Thesaurus on Political Science as a tool for information search and knowledge collection Model and analysis of information systems]. Vol. 20, no. 4 (2013). P. 125-135. [in Russian].

Fedotova S.V. Poetologiya Vyacheslava Ivanova: monografiya [Poetology of Vyacheslav Ivanov: Monograph]. Tambov, TOGOAU DPO «IPKRO», 2012. 293 p. [in Russian].

Borev Yu. Estetika. Audargandar Bopezhanova A., Amanzhol Q. [Aesthetics. Translated by Bopezhanova A., Amanzhol K.]. Almaty, public Foundation «National Translation Bureau», 2020. 408 p. [in Kazakh].

Abay. Shygarmalarynyn akademiyalyq tolyq zhinagy. Ush tomdyq. 1-tom [Academic complete collection of his works. In three volumes. Volume 1]. Almaty, «Zhazushy» publishing house, 2020. 640 p. [in Kazakh].

Akhmetov Z. Poeziya shyny – danalyq [The peak of poetry is wisdom]. Astana, Foliant, 2002. 408 p. [in Kazakh].

Ibraev Sh. Abaj fenomenі. Monografiyalyq zertteu [The phenomenon of Abay. Monographic research]. Nur-Sultan, L.N. Gumilyov ENU, 2020. 186 p. [in Kazakh].

Sarbalaev B. Toty kus tusti kobelek [Parrot bird color butterfly]. In: Abaj. Enciklopediya. Bas redaktor R.Nurgaliev [Abay. The Encyclopedia. Editor-in-chief R. Nurgaliyev]. Almaty, chief editorial office of the «Kazakh encyclopedia», publishing house «Atamura», 1995. 720 p. [in Kazakh].

Sharip A. Alash zhurtynyn aldiary [Category of Alash people]. In: Abaj zhane qazaq sociumy. Uzhymdyq monografiya. T. 3 [Abay and the Kazakh society. Collective monograph. Vol. 3]. Nur-Sultan, L N. Gumilyov ENU, 2020. 508 p. [in Kazakh].

Abay. Shygarmalarynyn akademiyalyq tolyq zhinagy. Ush tomdyq. 2-tom [Academic complete collection of his works. In three volumes. Volume 2]. Almaty, Zhazushi publishing house, 2020. 640 p. [in Kazakh].

Aimukhambet Z.A., Abdilmanatkyzy A., Baitanasova K., Seiputanova A., Kurmambayeva K. The Poetic Interpretation of Binary Opposition in the Structure of Myth. In: Rupkatha Journal on Interdisciplinary Studies in Humanities. – Vol. IX, No. 1, 2017 0975-2935 http://rupkatha.com/V9/n1 /v9n103.pdf/https://www.scopus.com/record/display.uri?eid=2-s2.085020937796&origin=resultslist 14. Lotman Yu. Semiosfera. Audargan Yerkіmbay U. [Semiosphere. Translated by Yerkimbay U.]. Almaty, public Foundation «National Translation Bureau», 2019. 528 p. [in Kazakh].