@article{Omarov_2021, title={Indian plots in the poem by Saken Seifullin «Kokshetau»}, volume={2}, url={https://tsj.enu.kz/index.php/new/article/view/70}, DOI={10.32523/2664-5157-2020-2-4-37-46}, abstractNote={<p>In Kazakh literature, there is a sufficient number of works based on ancient plots, which are rooted in a long<br>history. The more we study the origins of the narratives central to these works, the more we begin to understand their deeper<br>meaning. The bulk of these plots are associated with ancient legends, fables that have long been forgotten. How these plots<br>were born and emerged, how these plots developed in different periods of human history, how they changed over time -<br>these are questions that require meticulous research. Along with these investigations, it seems necessary to expand the study<br>of this issue. In modern studies of fiction, it is relevant to pay attention to the fact that famous works of art of the modern<br>era use plots of ancient literary monuments. They, these plots, are taken as a basis, interpreted, and masterfully transformed<br>in the texts of contemporary works. This article is devoted to identifying the original basis of one plot of the famous poem<br>«Kokshetau», the author of which is an outstanding representative of Kazakh literature Saken Seifullin. The author of the<br>article offers his own vision of the origin of the plots of the poem «Kokshetau» by Saken Seifullin, the source of which is<br>the literary monuments of Ancient India, widely spread throughout the world, «Twenty-five stories of Vetala», «Pearls of<br>conversations» (Javakhir al-asmar), «Totynama».</p>}, number={4}, journal={Turkic Studies Journal}, author={Omarov Бауыржан}, year={2021}, month={Nov.}, pages={37–46} }